Saturday, 19 May 2012
Obama: The First Gay President
It was the spring of 2007, back when Barack Obama’s bid for the presidency seemed quixotic at best. I’d seen Obama speak to a crowd and was impressed but wanted to see if what I’d seen from afar held up under closer scrutiny. So I asked to attend a private fundraiser in a tony apartment in Georgetown. I promised not to write anything. I just wanted to see the man up close and get a better sense of him and his character. At one point in the question-and-answer session, a woman looked him square in the eyes with what can only be called maternal grit. “My son is gay,” she said, and the room went suddenly quiet. “I don’t understand why you don’t support his right to marry the person he loves. It’s so disappointing to me.” Obama, without losing eye contact for a second, told her: “I want full equality for your son - all the rights and benefits that marriage brings. I really do. But the word ‘marriage’ stirs up so much religious feeling. I think civil unions are the way to go. As long as they are equal.”
My heart sank. Was this obviously humane African-American actually advocating a “separate but equal” solution - a form of marital segregation like the one that made his own parents’ marriage a felony in many states when he was born? The sudden equivocation made no sense - except as pure political calculation. And yet it also felt strained, as if he knew it didn’t quite fit. He wanted equality but not marriage - but you cannot have one without the other. On this issue, Obama’s excruciating nonposition was essentially “Yes we can’t.”
And yet somehow, simply by the way he answered that mother’s question, I didn’t believe it. I thought he was struggling between political calculation and his core belief in civil rights. And it was then that I realized he was both: a cold, steely, ruthless, calculating politician who nonetheless wanted to do the right thing in the end.
Last week he did it — in a move whose consequences are simply impossible to judge.
Source: Newsweek’s Andrew Sullivan on Barack Obama: The First Gay President
Thursday, 22 March 2012
Ricky Martin and family
Ricky Martin, his twin sons Valentino and Matteo, and partner Carlos Gonzalez Abella:
Source: La nueva vida de Ricky, Vanity Fair Spain, April 2012
Source: La nueva vida de Ricky, Vanity Fair Spain, April 2012
Evita on Broadway - Official Site
Monday, 13 February 2012
Gay Sex Is The Last Hollywood Taboo?
When Ellen DeGeneres came out of the closet as the first openly gay sitcom star in 1997—and her fictional self followed suit—a parade of gay characters came after her. There was Will & Grace, and Carrie Bradshaw’s Sex and the City sidekick, Stanford. In movies, the gay best friend became a staple, from My Best Friend’s Wedding to Mean Girls. Yet none of these characters do what gay men do. As Hollywood portrays it, the homosexual man is, astonishingly, sexless.
The film’s screenwriter, Dustin Lance Black, who won an Oscar for his Milk screenplay, says that a love scene would have been too revisionist historically. "I certainly didn’t want to see J. Edgar doing it," says Black, who is gay. "In the 1930s, oftentimes, a loving relationship with gay men was never consummated."
Max Mutchnick, the co-creator of Will & Grace, remembers attending a party the night before the show’s pilot was filmed. Mutchnick recalls being told by (the also gay) director Joel Schumacher: "Whatever you do, don’t make it too butt-fucky. Don’t let anyone in the audience think about butt fucking and you’ll be fine."
Mutchnick continues, "The sad reality is, if you’re in a theater and they show gay sex, someone in the audience will shout, ‘Ewww!’"
That’s the crux of it. Studio executives aren’t necessarily homophobic, but the film business is in a financial slump and averse to risks even in the best times. Though gay marriage is now more accepted across the United States, the industry is driven by tickets sold to straight men. That’s why lesbian sex gets a pass: when Natalie Portman and Mila Kunis spend a steamy night together in Black Swan, it helps sell tickets. There’s no similar financial bump attached to gay male intercourse. As one producer noted, anal sex is still considered something out of the ordinary, anyway. In The Girl With the Dragon Tattoo, the anal sex scene is part of a rape between a man and woman—existing as a symbol of sexual sadism.
I emailed our film critic David Ansen, the artistic director of the Los Angeles Film Festival, to ask whether there was gay sex I had overlooked in any recent movies. He wrote back: "There were actually movies this year with gay sex but really nobody saw them because they only played film festivals, like the very sexy Christopher and His Kind, which was made for Brit TV, and the still unreleased Leave It on the Floor, a musical with an all-black cast about the voguing world. Or James Franco’s experimental student film about Hart Crane, which has very explicit gay sex in it. The movies with gay sex tend to be ghettoized as gay films and not seen by crossover audiences."
When you ask gay screenwriters and directors to name the most explicit gay sex scene in a mainstream film, they often gulp in silence. Then they name 2005’s Brokeback Mountain. But that tent scene between Jake Gyllenhaal and Heath Ledger is still relatively tame. "I don’t think I would say Brokeback Mountain, because it’s not that explicit," says B. Ruby Rich, the film professor at UC Santa Cruz who coined the phrase New Queer Cinema. "We’re in the post–Brokeback Mountain moment. Even a film like Gus Van Sant’s Milk is astonishingly chaste. The actual life of Harvey Milk was drastically different than that, given it was the ’70s in San Francisco and men were fucking in every doorway."
Real societal change is always the product of the stories we see. In 1967, Guess Who’s Coming to Dinner made interracial marriage normal just months after the Supreme Court ruled that anti-miscegenation laws were unconstitutional. That’s why there’s more at stake in this gay-sex debate than just the titillation. If Hollywood refuses to push boundaries, to make more people comfortable with something that a segment of America is still uncomfortable with, gay people remain second-class citizens. "Here’s my thing with gay sex," Dustin Lance Black says. "In terms of sex, we get plenty of that every day in our own lives and thrown on the Internet. I feel like what I’m really interested in is gay romance." And that’s the real problem with no gay sex. You can’t tell a real love story if nobody is doing it.
Source: Why Does Hollywood Hate Gay Sex? by Ramin Setoodeh
The film’s screenwriter, Dustin Lance Black, who won an Oscar for his Milk screenplay, says that a love scene would have been too revisionist historically. "I certainly didn’t want to see J. Edgar doing it," says Black, who is gay. "In the 1930s, oftentimes, a loving relationship with gay men was never consummated."
Max Mutchnick, the co-creator of Will & Grace, remembers attending a party the night before the show’s pilot was filmed. Mutchnick recalls being told by (the also gay) director Joel Schumacher: "Whatever you do, don’t make it too butt-fucky. Don’t let anyone in the audience think about butt fucking and you’ll be fine."
Mutchnick continues, "The sad reality is, if you’re in a theater and they show gay sex, someone in the audience will shout, ‘Ewww!’"
That’s the crux of it. Studio executives aren’t necessarily homophobic, but the film business is in a financial slump and averse to risks even in the best times. Though gay marriage is now more accepted across the United States, the industry is driven by tickets sold to straight men. That’s why lesbian sex gets a pass: when Natalie Portman and Mila Kunis spend a steamy night together in Black Swan, it helps sell tickets. There’s no similar financial bump attached to gay male intercourse. As one producer noted, anal sex is still considered something out of the ordinary, anyway. In The Girl With the Dragon Tattoo, the anal sex scene is part of a rape between a man and woman—existing as a symbol of sexual sadism.
I emailed our film critic David Ansen, the artistic director of the Los Angeles Film Festival, to ask whether there was gay sex I had overlooked in any recent movies. He wrote back: "There were actually movies this year with gay sex but really nobody saw them because they only played film festivals, like the very sexy Christopher and His Kind, which was made for Brit TV, and the still unreleased Leave It on the Floor, a musical with an all-black cast about the voguing world. Or James Franco’s experimental student film about Hart Crane, which has very explicit gay sex in it. The movies with gay sex tend to be ghettoized as gay films and not seen by crossover audiences."
When you ask gay screenwriters and directors to name the most explicit gay sex scene in a mainstream film, they often gulp in silence. Then they name 2005’s Brokeback Mountain. But that tent scene between Jake Gyllenhaal and Heath Ledger is still relatively tame. "I don’t think I would say Brokeback Mountain, because it’s not that explicit," says B. Ruby Rich, the film professor at UC Santa Cruz who coined the phrase New Queer Cinema. "We’re in the post–Brokeback Mountain moment. Even a film like Gus Van Sant’s Milk is astonishingly chaste. The actual life of Harvey Milk was drastically different than that, given it was the ’70s in San Francisco and men were fucking in every doorway."
Real societal change is always the product of the stories we see. In 1967, Guess Who’s Coming to Dinner made interracial marriage normal just months after the Supreme Court ruled that anti-miscegenation laws were unconstitutional. That’s why there’s more at stake in this gay-sex debate than just the titillation. If Hollywood refuses to push boundaries, to make more people comfortable with something that a segment of America is still uncomfortable with, gay people remain second-class citizens. "Here’s my thing with gay sex," Dustin Lance Black says. "In terms of sex, we get plenty of that every day in our own lives and thrown on the Internet. I feel like what I’m really interested in is gay romance." And that’s the real problem with no gay sex. You can’t tell a real love story if nobody is doing it.
Source: Why Does Hollywood Hate Gay Sex? by Ramin Setoodeh
Sunday, 22 January 2012
River of Silence
Wednesday, 14 December 2011
The Basic Truth
"It is astonishing that gay and lesbian Americans are still treated as second-class citizens. I am confident that, very soon, the laws of this nation will reflect the basic truth that gay and lesbian people -- like all human beings -- are born equal in dignity and rights."
George Clooney
Source: George Clooney to Star in Dustin Lance Black's Proposition 8 Play
Saturday, 22 October 2011
Simply Not Enough
Zachary Quinto
10.16.11.
nyc...
when i found out that jamey rodemeyer killed himself - i felt deeply troubled. but when i found out that jamey rodemeyer had made an it gets better video only months before taking his own life - i felt indescribable despair. i also made an it gets better video last year - in the wake of the senseless and tragic gay teen suicides that were sweeping the nation at the time. but in light of jamey's death - it became clear to me in an instant that living a gay life without publicly acknowledging it - is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality. our society needs to recognize the unstoppable momentum toward unequivocal civil equality for every gay lesbian bisexual and transgendered citizen of this country. gay kids need to stop killing themselves because they are made to feel worthless by cruel and relentless bullying. parents need to teach their children principles of respect and acceptance. we are witnessing an enormous shift of collective consciousness throughout the world. we are at the precipice of great transformation within our culture and government. i believe in the power of intention to change the landscape of our society - and it is my intention to live an authentic life of compassion and integrity and action. jamey rodemeyer's life changed mine. and while his death only makes me wish that i had done this sooner - i am eternally grateful to him for being the catalyst for change within me. now i can only hope to serve as the same catalyst for even one other person in this world. that - i believe - is all that we can ask of ourselves and of each other.
zq.
Source: www.zacharyquinto.com
Sunday, 2 October 2011
'Gay closet is eating away at your soul'
Sean Maher
“I was nervous coming here today because I’ve just never talked about it,” Sean Maher says, while sitting down to chat at Little Dom’s Italian bistro in Los Angeles’ trendy Los Feliz neighborhood, the area where the actor lives with Paul, his partner of nearly nine years, and their two children, Sophia Rose, 4, and Liam Xavier, 14 months. “But, it’s so liberating. It was interesting to be coming to have a conversation that I was always afraid to have.” Despite his trepidation, he adds with a big smile: “This is my coming out ball. I’ve been dying to do this.”
“I’ve never discussed it publicly,” the 36-year-old continues. “I’ve never been asked about it publicly, but I would be lying if I said I didn’t paint a different picture.” Maher says that not coming out wasn’t so much a choice as much as it was a reality of the business when he first came to L.A. fresh out of college back in 1997. Publicists working with him during his first Tinseltown role as the title character on Fox’s short-lived cop drama Ryan Caulfield: Year One assumed he was straight — and he didn’t tell them otherwise, out of fear. “I’m 22, I move to L.A., and it’s such a cliché, but the day I arrive, publicists from the show took me out to The Ivy for lunch,” he remembers. “They’re telling me, ‘You know, gosh, we’d really appreciate it if you could keep your girlfriend on the side because we want to appeal to the female demographic of the show.’”
Granted, Maher could have corrected his handlers, but in that instant, he decided not to. “At that moment, I didn’t think to say, ‘Oh, I’m gay,’ because right before I left New York [where he went to college at NYU], I had my manager tell me: ‘You need to get a girl on your arm or people will start talking.’ I remember telling him: ‘I’m gay.’ He had no idea. And he said: ‘All the more reason to get a girl on your arm.’ My agent was also like, ‘It’s best if you keep your options open. Maybe bisexual?’”
Despite pressure from his manager and agent, both of whom he has since parted ways with, it was ultimately Maher’s decision to stay in the closet, out of concern that he wouldn’t otherwise be able to book leading-man roles. “I kept thinking, This is my first show, I don’t want to get fired,” Maher says. “I’m thinking, What is the potential that if they caught wind that they had cast a gay lead actor that they would fire me? I was young, I was 22. I didn’t know anything. So that sort of started the idea of, okay, well, I’m working a lot, I guess I’ll just keep that gay part of my life on the back burner for now. I went so far as to sleep with women a couple times. It was a very confusing time for me.”
But being in the closet tormented Maher. “It was so exhausting, and I was so miserable,” Maher says. “I didn’t really have any life other than work and this façade I was putting on. So I kept my friends from college [where he was out] separate from my work friends, and that was very confusing. I just kept going on and on painting this picture of somebody I wasn’t. I didn’t have time for a personal relationship anyway. And you just don’t realize that it’s eating away at your soul.”
Although there have been famous cases of homophobia in Hollywood (ex. when Isaiah Washington called fellow actor T.R. Knight a gay slur on the set of ABC’s Grey’s Anatomy and was subsequently fired), Maher says he never encountered much hostility — mostly because he was never out and was very adept at acting straight. “Because I was never out, I was never addressed in a negative way to my face,” Maher says. “Although I witnessed a lot of it, whether it be making fun of gays or gay jokes. I just bit my tongue or looked the other way. That was part of the reason that I didn’t come out earlier — because there was an energy on set, and I felt like my being gay would have offset that, especially with the crew.”
Does Maher regret spending 14 years in the closet professionally? “I don’t think I have regrets,” he responds. “I do believe that sort of this journey took me to the place where I got and I don’t think I would feel so strongly about doing what I’m doing now had I not suffered for the years that I did.”
Having a family is what ultimately what made Maher want to be honest about his sexuality. “I have these beautiful children and this extraordinary family,” Maher says, “and to think in any way shape or form that that’s wrong or that there’s shame in that or that there’s something to hide actually turns my stomach.” Maher kept thinking about what daughter Sophia would say when she realized he was closeted professionally. “What would she think if I said, ‘Oh honey, you can’t come with me to work because they don’t know I have an adopted daughter and they don’t know that I’m gay.’ My children and our family, I’ve really never been as proud of anything in my life. I couldn’t be happier at this point in my life, and I feel like we’ve created this pretty extraordinary family.”
In the end, coming out publicly is what Maher feels he needed to do to tie his life together, personally and professionally. “Creatively, I feel so much more open and free, and I am so happy on The Playboy Club,” he says. “I think it’s because I’ve never been so open on set. All of the relationships that I have off-camera, I never would have allowed five years ago. It feels so liberating.”
Source: 'Playboy Club' star Sean Maher opens up about his sexuality: 'This is my coming out ball'
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